The relatively slight recognition hitherto accorded Lord Dunsany, who is perhaps the most unique, original, and richly imaginative of living authors, forms an amusing commentary on the natural stupidity of mankind. Conservatives view him with patronage because he does not concern himself with the hoary fallacies and artificialities which constitute their supreme values. Radicals slight him because his work does not display that chaotic defiance of taste which to them is the sole identifying mark of authentic modern disillusion. And yet one might hardly err in claiming that he should have the homage of both rather than of neither; for surely if any man has extracted and combined the residue of true art in older and newer schools alike, it is this singular giant in whom the classic, the Hebraic, and Nordic, and the Irish aesthetic traditions are so curiously and admirably combined.
DESCRIPTION: In his essay “Lord Dunsany and His Work,” which Lovecraft wrote more than three years after reading Lord Dunsany, he claims that the Anglo-Irish author deserves more recognition than he has received, for his work combines both traditional and experimental forms.
CITATION: Lovecraft, H. P. “Lord Dunsany and His Work.” Collected Essays. Edited by S. T. Joshi, vol. 2, Hippocampus Press, 2004, pp. 56-62.