A Repudiation of the World of Trolleys and Cash-Registers

“Ebony and Crystal” is an artist’s intrepid repudiation of the world of trolleys and cash-registers, Freudian complexes and Binet-Simon tests, for realms of exalted and iridescent strangeness beyond space and time yet real as any reality because dreams have made them so. Mr. Smith has escaped the fetish of life and the world, and glimpsed the perverse, titanic beauty of death and the universe; taking infinity as his canvas and recording in awe the vagaries of suns and planets, gods and daemons, and blind amorphous horrors that haunt gardens of polychrome fungi more remote than Algol and Achernar. It is a cosmos of vivid flame and glacial abysses that he celebrates, and the colourful luxuriance with which he peoples it could be born from nothing less than sheer genius.


DESCRIPTION: In his essay entitled “Review of Ebony and Crystal by Clark Ashton Smith,” Lovecraft describes his friend’s poetry as a repudiation of modern life.

CITATION: Lovecraft, H. P. “Review of Ebony and Crystal by Clark Ashton Smith.” Collected Essays. Edited by S. T. Joshi, vol. 2, Hippocampus Press, 2004, pp. 73-4.

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