The ancient garden seems tonight
A deeper gloom to bear,
As if some silent shadow’s blight
Were hov’ring in the air.
With hidden griefs the grasses sway,
Unable quite to word them—
Remembering from yesterday
The little paws that stirr’d them.
DESCRIPTION: In his poem “Little Sam Perkins,” Lovecraft describes his emotions after learning that one of his favorite cats had died.
CITATION: Lovecraft, H. P. “Little Sam Perkins.” The Ancient Track: The Complete Poetical Works of H. P. Lovecraft. Edited by S. T. Joshi, Hippocampus Press, 2013, p. 439.
The thing, he said, would come that night at three
From the old churchyard on the hill below;
But crouching by an oak fire’s wholesome glow,
I tried to tell myself it could not be.
Surely, I mused, it was a pleasantry
Devised by one who did not truly know
The Elder Sign, bequeathed from long ago,
That sets the fumbling form of darkness free.
He had not meant it—no—but still I lit
Another lamp as starry Leo climbed
Out of the Seekonk, and a steeple chimed
Three—and the firelight faded, bit by bit.
Then at the door that cautious rattling came—
And the mad truth devoured me like a flame!
DESCRIPTION: In his poem “The Messenger,” Lovecraft responds to Bertrand K. Hart’s playful suggestion that Lovecraft, who had used Hart’s residence in one of his stories, deserved to be haunted.
CITATION: Lovecraft, H. P. “The Messenger.” The Ancient Track: The Complete Poetical Works of H. P. Lovecraft. Edited by S. T. Joshi, Hippocampus Press, 2013, p. 80.
So if at last a callous age must tear
These jewels from the old town’s quiet dress,
I think the harbour streets will always wear
A puzzled look of wistful emptiness.
And strangers, staring spaciously along
An ordered green that ponderous pylons frame,
Will always stop to wonder what is wrong,
And miss some vital thing they cannot name.
DESCRIPTION: In his poem “The East India Brick Row,” Lovecraft laments the city of Providence’s decision to demolish a row of ancient warehouses along the waterfront.
CITATION: Lovecraft, H. P. “The East India Brick Row.” The Ancient Track: The Complete Poetical Works of H. P. Lovecraft. Edited by S. T. Joshi, Hippocampus Press, 2013, pp. 308-9.
Thro’ the ghoul-guarded gateways of slumber,
Past the wan-moon’d abysses of night,
I have liv’d o’er my lives without number,
I have sounded all things with my sight;
And I struggle and shriek ere the daybreak, being driven to madness with fright.
I have whirl’d with the earth at the dawning,
When the sky was a vaporous flame,
I have seen the dark universe yawning,
Where the black planets roll without aim;
Where they roll in their horror unheeded, without knowledge or lustre or name.
DESCRIPTION: In his poem “Nemesis,” Lovecraft describes his dreams as a nightmarish voyage through space and time.
CITATION: Lovecraft, H. P. “Nemesis.” The Ancient Track: The Complete Poetical Works of H. P. Lovecraft. Edited by S. T. Joshi, Hippocampus Press, 2013, pp. 46-8.
It’s not a bad idea to call this Cthulhuism & Yog-Sothothery of mine “The Mythology of Hastur”—although it was really from Machen & Dunsany & others, rather than through the Bierce-Chambers line, that I picked up my gradually developing hash of theogony—or daimonogony. Come to think of it, I guess I sling this stuff more as Chambers does than as Machen & Dunsany do—though I had written a good deal of it before I ever suspected that Chambers ever wrote a weird story!
DESCRIPTION: In a letter to his friend August Derleth, Lovecraft describes the origins of the Cthulhu Mythos, citing Arthur Machen and Lord Dunsany as influences.
CITATION: Lovecraft, H. P. “To August Derleth.” 16 May 1931. Essential Solitude: The Letters of H. P. Lovecraft and August Derleth. Edited by David E. Schultz and S. T. Joshi, vol. 1, Hippocampus Press, 2013, pp. 335-9.
Contrary to what you may assume, I am not a pessimist but an indifferentist—that is, I don’t make the mistake of thinking that the resultant of the natural forces surrounding and governing organic life will have any connexion with the wishes or tastes of any part of that organic life-process. Pessimists are just as illogical as optimists; insomuch as both envisage the aims of mankind as unified, and as having a direct relationship (either of frustration or of fulfillment) to the inevitable flow of terrestrial motivation and events. That is—both schools retain in a vestigial way the primitive concept of a conscious teleology—of a cosmos which gives a damn one way or the other about the especial wants and ultimate welfare of mosquitoes, rats, lice, dogs, men, horses, pterodactyls, trees, fungi, dodos, or other forms of biological energy.
DESCRIPTION: In a letter to his friend James F. Morton, Lovecraft describes himself, not as an optimist or a pessimist, but as an “indifferentist,” someone who recognizes that the universe is indifferent to humanity’s welfare.
CITATION: Lovecraft, H. P. “To James F. Morton.” 30 Oct. 1929. Selected Letters. Edited by August Derleth and Donald Wandrei, vol. 3, Arkham House, 1971, pp. 39-55.
We shall hear of all sorts of futile reforms and reformers—standardised culture-outlines, synthetic sports and spectacles, professional play-leaders and study-guides, and kindred examples of machine-made uplift and brotherly spirit. And it will amount to just about as much as most reforms do! Meanwhile the tension of boredom and unsatisfied imagination will increase—breaking out with increasing frequency in crimes of morbid perversity and explosive violence.
DESCRIPTION: In a letter to his friend Woodburn Harris, Lovecraft describes the effects of industrialization on future societies.
CITATION: Lovecraft, H. P. “To Woodburn Harris.” 1 Mar. 1929. Selected Letters. Edited by August Derleth, vol. 2, Arkham House, 1968, pp. 287-314.
Sometimes I stumble accidentally on rare combinations of slope, curved street-line, roofs & gables & chimneys, & accessory details of verdure & background, which in the magic of late afternoon assume a mystic majesty & exotic significance beyond the power of words to describe. Absolutely nothing else in life now has the power to move me so much; for in these momentary vistas there seem to open before me bewildering avenues to all the wonders & lovelinesses I have ever sought, & to all those gardens of eld whose memory trembles just beyond the rim of conscious recollection, yet close enough to lend to life all the significance it possesses. All that I live for is to recapture some fragment of this hidden & just unreachable beauty …
DESCRIPTION: In a letter to his friend Donald Wandrei, Lovecraft describes the meaning of his life as an attempt to capture beauty.
CITATION: Lovecraft, H. P. “To Donald Wandrei.” 21 Apr. 1927. Mysteries of Time and Spirit: The Letters of H. P. Lovecraft and Donald Wandrei. Edited by S. T. Joshi and David E. Schultz, Night Shade Books, 2002, pp. 84-93.
There is no field other than the weird in which I have any aptitude or inclination for fictional composition. Life has never interested me so much as the escape from life.
DESCRIPTION: In a letter to his friend J. Vernon Shea, Lovecraft explains why he writes weird fiction as opposed to literary fiction.
CITATION: Lovecraft, H. P. “To J. Vernon Shea.” 7 Aug. 1931. Selected Letters. Edited by August Derleth and Donald Wandrei, vol. 3, Arkham House, 1971, pp. 394-6.
Life is a hideous thing, and from the background behind what we know of it peer daemoniacal hints of truth which make it sometimes a thousandfold more hideous. Science, already oppressive with its shocking revelations, will perhaps be the ultimate exterminator of our human species—if separate species we be—for its reserve of unguessed horrors could never be borne by mortal brains if loosed upon the world. If we knew what we are, we should do as Sir Arthur Jermyn did; and Arthur Jermyn soaked himself in oil and set fire to his clothing one night. No one placed the charred fragments in an urn or set a memorial to him who had been; for certain papers and certain boxed object were found, which made men wish to forget. Some who knew him do not admit that he ever existed.
DESCRIPTION: In a passage from the short story “Facts Concerning the Late Arthur Jermyn and His Family” (1920), Lovecraft claims that recent scientific discoveries, specifically those related to human evolution, reduce the elevated status of the human race to an intolerable level.
CITATION: Lovecraft, H. P. “Facts Concerning the Late Arthur Jermyn and His Family.” The Call of Cthulhu and Other Weird Stories. Edited by S. T. Joshi, Penguin Books, 1999, pp. 14-23.