Leaping, floating, flying down those endless stairs through the dark house; racing mindlessly out into the narrow, steep, and ancient street of steps and tottering houses; clattering down steps and over cobbles to the lower streets and the putrid canyon-walled river; panting across the great dark bridge to the broader, healthier streets and boulevards we know; all these are terrible impressions that linger with me. And I recall that there was no wind, and that the moon was out, and that all the lights of the city twinkled.
Despite my most careful searches and investigations, I have never since been able to find the Rue d’Auseil. But I am not wholly sorry; either for this or for the loss in undreamable abysses of the closely written sheets which alone could have explained the music of Erich Zann.
DESCRIPTION: In this passage from the short story “The Music of Erich Zann” (1921), the narrator describes his flight from the Rue d’Auseil, a street that, since then, he has never been able to find.
CITATION: Lovecraft, H. P. “The Music of Erich Zann.” The Thing on the Doorstep and Other Weird Stories. Edited by S. T. Joshi, Penguin Books, 2001, pp. 45-52.
The great hill hung close over the old town,
A precipice against the main street’s end;
Green, tall, and wooded, looking darkly down
Upon the steeple at the highway bend.
Two hundred years the whispers had been heard
About what happened on the man-shunned slope—
Tales of an oddly mangled deer or bird,
Or of lost boys whose kin had ceased to hope.
One day the mail-man found no village there,
Nor were its folk or houses seen again;
People came out from Aylesbury to stare—
Yet they all told the mail-man it was plain
That he was mad for saying he had spied
The great hill’s gluttonous eyes, and jaws stretched wide.
DESCRIPTION: In his poem “Zaman’s Hill,” Lovecraft describes a supernatural hill, which devours the village at its base.
CITATION: Lovecraft, H. P. “Zaman’s Hill.” The Ancient Track: The Complete Poetical Works of H. P. Lovecraft. Edited by S. T. Joshi, Hippocampus Press, 2013, p. 83.
In relating the circumstances which have led to my confinement within this refuge for the demented, I am aware that my present position will create a natural doubt of the authenticity of my narrative. It is an unfortunate fact that the bulk of humanity is too limited in its mental vision to weigh with patience and intelligence those isolated phenomena, seen and felt only by a psychologically sensitive few, which lie outside its common experience. Men of broader intellect know that there is no sharp distinction betwixt the real and the unreal; that all things appear as they do only by virtue of the delicate individual physical and mental media through which we are made conscious of them; but the prosaic materialism of the majority condemns as madness the flashes of super-sight which penetrate the common veil of obvious empiricism.
DESCRIPTION: In this passage from the short story “The Tomb” (1917), Jervas Dudley claims that his story, which is so incredible that many believe him to be insane, involved supernatural phenomenon.
CITATION: Lovecraft, H. P. “The Tomb.” The Thing on the Doorstep and Other Weird Stories. Edited by S. T. Joshi, Penguin Books, 2001, pp. 1-10.
That is what they say I said when they found me in the blackness after three hours; found me crouching in the blackness over the plump, half-eaten body of Capt. Norrys, with my own cat leaping and tearing at my throat. Now they have blown up Exham Priory, taken my Nigger-Man away from me, and shut me into this barred room at Hanwell with fearful whispers about my heredity and experiences. Thornton is in the next room, but they prevent me from talking to him. They are trying, too, to suppress most of the facts concerning the priory. When I speak of poor Norrys they accuse me of a hideous thing, but they must know that I did not do it. They must know it was the rats; the slithering, scurrying rats whose scampering will never let me sleep; the daemon rats that race behind the padding in this room and beckon me down to greater horrors than I have ever known; the rats they can never hear; the rats, the rats in the walls.
DESCRIPTION: In this passage from the short story “The Rats in the Walls” (1923), Delapore claims that, despite appearances, rats killed Captain Edward Norrys.
CITATION: Lovecraft, H. P. “The Rats in the Walls.” The Call of Cthulhu and Other Weird Stories. Edited by S. T. Joshi, Penguin Books, 1999, pp. 89-108.
The way led down a dark, half-wooded heath
Where moss-grey boulders humped above the mould,
And curious drops, disquieting and cold,
Sprayed up from unseen streams in gulfs beneath.
There was no wind, nor any trace of sound
In puzzling shrub, or alien-featured tree,
Nor any view before—till suddenly,
Straight in my path, I saw a monstrous mound.
Half to the sky those steep sides loomed upspread,
Rank-grassed, and cluttered by a crumbling flight
Of lava stairs that scaled the fear-topped height
In steps too vast for any human tread.
I shrieked—and knew what primal star and year
Had sucked me back from man’s dream-transient sphere!
DESCRIPTION: In his poem “Recapture,” Lovecraft describes a dreamlike journey through an alien forest to a monstrous pyramid.
CITATION: Lovecraft, H. P. “Recapture.” The Ancient Track: The Complete Poetical Works of H. P. Lovecraft. Edited by S. T. Joshi, Hippocampus Press, 2013, p. 94.
There were great steppes, and rocky table-lands
Stretching half-limitless in starlit night,
With alien campfires shedding feeble light
On beasts with tinkling bells, in shaggy bands.
Far to the south the plain sloped low and wide
To a dark zigzag line of wall that lay
Like a huge python of some primal day
Which endless time had chilled and petrified.
I shivered oddly in the cold, thin air,
And wondered where I was and how I came,
When a cloaked form against a campfire’s glare
Rose and approached, and called me by my name.
Staring at that dead face beneath the hood,
I ceased to hope—because I understood.
DESCRIPTION: In his poem “A Memory,” Lovecraft describes a strange, dreamlike encounter with the living dead.
CITATION: Lovecraft, H. P. “A Memory.” The Ancient Track: The Complete Poetical Works of H. P. Lovecraft. Edited by S. T. Joshi, Hippocampus Press, 2013, p. 87.
Cautious investigators will hesitate to challenge the common belief that Robert Blake was killed by lightning, or by some profound nervous shock derived from an electrical discharge. It is true that the window he faced was unbroken, but Nature has shewn herself capable of many freakish performances. The expression on his face may easily have arisen from some obscure muscular source unrelated to anything he saw, while the entries in his diary are clearly the result of a fantastic imagination aroused by certain local superstitions and by certain old matters he had uncovered. As for the anomalous conditions at the deserted church on Federal Hill—the shrewd analyst is not slow in attributing them to some charlatanry, conscious or unconscious, with at least some of which Blake was secretly connected.
DESCRIPTION: In this passage from the short story “The Haunter of the Dark” (1935), the narrator argues that, despite the bizarre circumstances, Robert Blake was killed by natural causes.
CITATION: Lovecraft, H. P. “The Haunter of the Dark.” The Call of Cthulhu and Other Weird Stories. Edited by S. T. Joshi, Penguin Books, 1999, pp. 336-60.