The past is real—it is all there is. The present is only a trivial and momentary boundary-line—whilst the future, though wholly determinate, is too essentially unknown and landmarkless to possess any hold upon our sense of concrete aesthetic imagery. It is, too, liable to involve shifts and contrasts repugnant to our emotions and fancy; since we cannot study it as a unified whole and become accustomed to its internal variations as we can study and grow accustomed to the vary’d past. There is nothing in the future to tie one’s loyalties and affections to—it can mean nothing to us, because it involves noe of those mnemonic association-links upon which the illusion of meaning is based. So I, for one, prefer Old New England and Old Virginia to the unknown mechanised barbarism that stretches out ahead of us—as meaningless and alien to men of our heritage and memories as the cultures of China or Abyssinia or ancient Carthage or the planet Saturn.
DESCRIPTION: In a letter to his friend James F. Morton, Lovecraft defends his attachment to the past and his dismissal of the future.
CITATION: Lovecraft, H. P. “To James F. Morton.” 19 Oct. 1929. Selected Letters. Edited by August Derleth and Donald Wandrei, vol. 3, Arkham House, 1971, pp. 31-5.
So if at last a callous age must tear
These jewels from the old town’s quiet dress,
I think the harbour streets will always wear
A puzzled look of wistful emptiness.
And strangers, staring spaciously along
An ordered green that ponderous pylons frame,
Will always stop to wonder what is wrong,
And miss some vital thing they cannot name.
DESCRIPTION: In his poem “The East India Brick Row,” Lovecraft laments the city of Providence’s decision to demolish a row of ancient warehouses along the waterfront.
CITATION: Lovecraft, H. P. “The East India Brick Row.” The Ancient Track: The Complete Poetical Works of H. P. Lovecraft. Edited by S. T. Joshi, Hippocampus Press, 2013, pp. 308-9.
Sometimes I stumble accidentally on rare combinations of slope, curved street-line, roofs & gables & chimneys, & accessory details of verdure & background, which in the magic of late afternoon assume a mystic majesty & exotic significance beyond the power of words to describe. Absolutely nothing else in life now has the power to move me so much; for in these momentary vistas there seem to open before me bewildering avenues to all the wonders & lovelinesses I have ever sought, & to all those gardens of eld whose memory trembles just beyond the rim of conscious recollection, yet close enough to lend to life all the significance it possesses. All that I live for is to recapture some fragment of this hidden & just unreachable beauty …
DESCRIPTION: In a letter to his friend Donald Wandrei, Lovecraft describes the meaning of his life as an attempt to capture beauty.
CITATION: Lovecraft, H. P. “To Donald Wandrei.” 21 Apr. 1927. Mysteries of Time and Spirit: The Letters of H. P. Lovecraft and Donald Wandrei. Edited by S. T. Joshi and David E. Schultz, Night Shade Books, 2002, pp. 84-93.
Time, space, and natural law hold for me suggestions of intolerable bondage, and I can form no picture of emotional satisfaction which does not involve their defeat—especially the defeat of time, so that one may merge oneself with the whole historic stream and be wholly emancipated from the transient and the ephemeral.
DESCRIPTION: In a letter to his friend and fellow writer August Derleth, Lovecraft describes the sense of oppression he feels when contemplating the limitations imposed on humanity by natural law.
CITATION: Lovecraft, H. P. “To August Derleth.” 21 Nov. 1930. Selected Letters. Edited by August Derleth and Donald Wandrei, vol. 3, Arkham House, 1971, pp. 220-2.
It so happens that I am unable to take pleasure or interest in anything but a mental re-creation of other & better days—for in sooth, I see no possibility of ever encountering a really congenial milieu or living among civilised people with old Yankee historic memories again—so in order to avoid the madness which leads to violence & suicide I must cling to the few shreds of old days & old ways which are left to me. Therefore no one need expect me to discard the ponderous furniture & paintings & clocks & books which help to keep 454 always in my dreams. When they go, I shall go, for they are all that make it possible for me to open my eyes in the morning or look forward to another day of consciousness without screaming in sheer desperation & pounding the walls & floor in a frenzied clamour to be waked up out of the nightmare of “reality” & my own room in Providence. Yes—such sensitivenesses of temperament are very inconvenient when one has no money—but it’s easier to criticise than to cure them. When a poor fool possessing them allows himself to get exiled & sidetracked through temporarily false perspective & ignorance of the world, the only thing to do is let him cling to his pathetic scraps as long as he can hold them. They are life for him.
DESCRIPTION: In a letter to Lillian Delora Clark, Lovecraft describes his attachment to the past.
CITATION: Lovecraft, H. P. “To Lillian D. Clark.” 8 Aug. 1925. H. P. Lovecraft: Letters from New York. Edited by S. T. Joshi and David E. Schultz, Night Shade Books, 2005, pp. 167-9.
In a colourless or monotonous environment I should be hopelessly soul-starved—New York almost finished me, as it was! I find that I draw my prime contentment from beauty & mellowness as expressed in quaint town vistas & in the scenery of ancient farming & woodland regions. Continuous growth from the past is a sine qua non—in fact, I have long acknowledged archaism as the chief motivating force of my being.
DESCRIPTION: In a letter to his friend Donald Wandrei, Lovecraft describes how important tradition is to his psychological wellbeing.
CITATION: Lovecraft, H. P. “To Donald Wandrei.” 27 Mar. 1927. Mysteries of Time and Spirit: The Letters of H. P. Lovecraft and Donald Wandrei. Edited by S. T. Joshi and David E. Schultz, Night Shade Books, 2002, pp. 60-8.
God! Shall I ever forget my first stupefying glimpse of MARBLEHEAD’S huddled and archaick roofs under the snow in the delirious sunset glory of four p.m., Dec. 17, 1922!!! I did not know until an hour before that I should ever behold such a place as Marblehead, and I did not know until that moment itself the full extent of the wonder I was to behold. I account that instant—about 4:05 to 4:10 p.m., Dec. 17, 1922—the most powerful single emotional climax experienced during my nearly forty years of existence. In a flash all the past of New England—all the past of Old England—all the past of Anglo-Saxondom and the Western World—swept over me and identified me with the stupendous totality of all things in such a way as it never did before and never will again. That was the high tide of my life.
DESCRIPTION: In a letter to his friend James F. Morton, Lovecraft describes the sense of ecstasy he felt when seeing the perfectly preserved city of Marblehead for the first time.
CITATION: Lovecraft, H. P. “To James F. Morton.” 12 Mar. 1930. Selected Letters. Edited by August Derleth and Donald Wandrei, vol. 3, Arkham House, 1971, pp. 123-9.
But the climate, O Sage, is only the beginning of the miracle from an antiquarian point of view. Indeed—there is nothing about the place so wholly important and distinctive as the astoundingly eighteenth century atmosphere—for in all verity I can say that Charleston is the best-preserv’d colonial city of any size, without exception, that I have ever encounter’d. Virtually, everything is just as it was in the reign of George the Third—indeed, ’tis easier to count the houses which are not colonial, than to attempt to count those which are.
DESCRIPTION: In a letter to his friend Maurice W. Moe, Lovecraft describes, with joy, his impressions of Charleston, South Carolina, and its colonial architecture.
CITATION: Lovecraft, H. P. “To Maurice W. Moe.” 4 May 1930. Lord of a Visible World: An Autobiography in Letters. Edited by S. T. Joshi and David E. Schultz, Ohio University Press, 2000, pp. 247-9.
I never heard of Innsmouth till the day before I saw it for the first and—so far—last time. I was celebrating my coming of age by a tour of New England—sightseeing, antiquarian, and genealogical—and had planned to go directly from ancient Newburyport to Arkham, whence my mother’s family was derived. I had no car, but was travelling by train, trolley, and motor-coach, always seeking the cheapest possible route. In Newburyport they told me that the steam train was the thing to take to Arkham; and it was only at the station ticket-office, when I demurred at the high fare, that I learned about Innsmouth. The stout, shrewd-faced agent, whose speech shewed him to be no local man, seemed sympathetic toward my efforts at economy, and made a suggestion that none of my other informants had offered.
DESCRIPTION: In this passage from the short story “The Shadow Over Innsmouth” (1931), Robert Olmstead describes his ill-fated tour of New England.
CITATION: Lovecraft, H. P. “The Shadow Over Innsmouth.” The Call of Cthulhu and Other Weird Stories. Edited by S. T. Joshi, Penguin Books, 1999, pp. 268-335.
Entering, I found myself in a low, dark passage whose massive beams almost touched my head; and passing on, I travers’d two immense rooms on the ground floor—sombre, barren, panell’d apartments with colossal fireplaces in the vast central chimney, and with occasional pieces of the plain, heavy furniture and primitive farm and domestick utensils of the ancient yeomanry. In these wide, low-pitch’d rooms a spectral menace broods—for to my imagination the seventeenth century is as full of macabre mystery, repression, and ghoulish adumbrations as the eighteenth century is full of taste, gayety, grace, and beauty. This was a typical Puritan abode; where admist the bare, ugly necessities of life, and without learning, beauty, culture, freedom, or ornament, terrible stern-fac’d folk in conical hats or poke-bonnets dwelt two hundred and fifty and more years ago …
DESCRIPTION: In a letter to his friends Frank Belknap Long and Alfred Galpin, Lovecraft describes his visit to the Rebekah Nurse House in Massachusetts.
CITATION: Lovecraft, H. P. “To Frank Belknap Long and Alfred Galpin.” 1 May 1923. Selected Letters. Edited by August Derleth and Donald Wandrei, vol. 1, Arkham House, 1965, pp. 218-25.