In everything I do there is a certain concreteness, extravagance, or general crudeness which defeats the vague but insistent object I have in mind. I start out trying to find symbols expressive of a certain mood induced by a certain visual conception …, but when I come to put anything on paper the chosen symbols seem forced, awkward, childish, exaggerated, & essentially inexpressive. I have staged a cheap, melodramatic puppet-show without saying what I wanted to say in the first place.
DESCRIPTION: In a letter to fellow writer Clark Ashton Smith, Lovecraft expresses doubts about the value of his writing.
CITATION: Lovecraft, H. P. “To Clark Ashton Smith.” 13 Dec. 1933. Selected Letters. Edited by August Derleth and James Turner, vol. 4, Arkham House, 1965, pp. 328-36.
… the popular magazine world is essentially an underworld or caricature-imitation-world so far as serious writing is concerned. Absolutely nothing about it is worthy of mature consideration or permanent preservation. That is why I am so absolutely unwilling to make any ‘concessions’ to its standards, & so much disposed to repudiate it entirely in an effort to achieve real aesthetic expression even on the humblest plane.
DESCRIPTION: In a letter to his friend J. Vernon Shea, Lovecraft criticizes the pulps, claiming that their reliance on formula stymies artistic expression.
CITATION: Lovecraft, H. P. “To J. Vernon Shea.” 28 Sept. 1931. Selected Letters. Edited by August Derleth and Donald Wandrei, vol. 3, Arkham House, 1971, pp. 416-7.
As to how I write a story—there is no one way. Each one of my tales has a different history. Once or twice I have literally written out a dream; but usually I start with a mood or idea or image which I wish to express, and revolve it in my mind until I can think of a good way of embodying it in some chain of dramatic occurrences capable of being recorded in concrete terms. I tend to run through a mental list of the basic conditions or situations best adapted to such a mood or idea or image, and then begin to speculate on logical and naturally motivated explanations of the given mood or idea or image in terms of the basic condition or situation chosen.
DESCRIPTION: In his essay “Notes on Writing Weird Fiction,” Lovecraft claims that he writes fiction because he has a mood, idea, or image that he wishes to express.
CITATION: Lovecraft, H. P. “Notes on Writing Weird Fiction.” Collected Essays. Edited by S. T. Joshi, vol. 2, Hippocampus Press, 2004, pp. 175-8.
Now this is manifestly inartistic. To write to order, to drag one figure through a series of artificial episodes, involves the violation of all that spontaneity and singleness of impression which should characterise short story work. It reduces the unhappy author from art to the commonplace level of mechanical and unimaginative hack-work. Nevertheless, when one needs the money one is not scrupulous—so I have accepted the job!
DESCRIPTION: In a letter to his friend Frank Belknap Long, Lovecraft describes the writing of his story “Herbert West—Reanimator” as hackwork.
CITATION: Lovecraft, H. P. “To Frank Belknap Long.” 8 Oct. 1921. Selected Letters. Edited by August Derleth and Donald Wandrei, vol. 1, Arkham House, 1965, pp. 157-9.