Losing the Family Home

My mother & I moved into a 5-room-&-attic flat two squares farther east (598 Angell St., where I dwelt till 1924) & for the first time I knew what a congested, servantless home—with another family in the same house—was…. I felt that I had lost my entire adjustment to the cosmos—for what indeed was HPL without the remembered rooms & hallways & hangings & staircases & statuary & paintings … & yard & walks & cherry-trees & fountain & ivy-grown arch & stable & gardens & all the rest? How could an old man of 14 (& I surely felt that way!) readjust his existence to a skimpy flat & new household programme & inferior outdoor setting in which almost nothing familiar remained? It seemed like a damned futile business to keep on living. No more tutors—high school next September which would probably be a devilish bore, since one couldn’t be as free & easy in high school as one had been during brief snatches at the neighbourly Slater Ave. school…. Oh, hell! Why not slough off consciousness altogether?


DESCRIPTION: In a letter to his friend J. Vernon Shea, Lovecraft describes the sense of loss he felt when, shortly after the death of his maternal grandfather, he and his mother were forced to leave 454 Angell Street and move into a smaller home at 598 Angell Street.

CITATION: Lovecraft, H. P. “To J. Vernon Shea.” 4 Feb. 1934. Selected Letters. Edited by August Derleth and James Turner, vol. 4, Arkham House, 1976, pp. 351-71.

Nightmares

And then it was that my former high spirits received their damper. I began to have nightmares of the most hideous description, peopled with things which I called “night-gaunts”—a compound word of my own coinage. I used to draw them after waking (perhaps the idea of these figures came from an edition de luxe of Paradise Lost with illustrations by Doré, which I discovered one day in the eat parlor). In dreams they were wont to whirl me through space at a sickening rate of speed, the while fretting & impelling me with their detestable tridents. It is fully fifteen years—aye, more—since I have seen a “night-gaunt”, but even now, when half asleep & drifting vaguely along over a sea of childhood thoughts, I feel a thrill of fear … & instinctively struggle to keep awake. That was my own prayer back in ’96—each night—to keep awake & ward off the night-gaunts!


DESCRIPTION: In a letter to his friend Rheinhart Kleiner, Lovecraft describes the nightmares he experienced after the death of his maternal grandmother.

CITATION: Lovecraft, H. P. “To Rheinhart Kleiner.” 16 Nov. 1916. Selected Letters. Edited by August Derleth and Donald Wandrei, vol. 1, Arkham House, 1965, pp. 29-42.

By Tonight I Shall Be No More

I am writing this under an appreciable mental strain, since by tonight I shall be no more. Penniless, and at the end of my supply of the drug which alone makes life endurable, I can bear the torture no longer; and shall cast myself from this garret window into the squalid street below. Do not think from my slavery to morphine that I am a weakling or a degenerate. When you have read these hastily scrawled pages you may guess, though never fully realise, why it is that I must have forgetfulness or death.


DESCRIPTION: In this passage from the short story “Dagon” (1917), the narrator explains why he has decided to commit suicide.

CITATION: Lovecraft, H. P. “Dagon.” The Call of Cthulhu and Other Weird Stories. Edited by S. T. Joshi, Penguin Books, 1999, pp. 1-6.

With Hideous News

On the nineteenth of October Nahum staggered into Ammi’s house with hideous news. The death had come to poor Thaddeus in his attic room, and it had come in a way which could not be told. Nahum had dug a grave in the railed family plot behind the farm, and had put therein what he found. There could have been nothing from outside, for the small barred window and locked door were intact; but it was much as it had been in the barn. Ammi and his wife consoled the stricken man as best they could, but shuddered as they did so. Stark terror seemed to cling around the Gardners and all they touched, and the very presence of one in the house was a breath from regions unnamed and unnamable. Ammi accompanied Nahum home with the greatest reluctance, and did what he might to calm the hysterical sobbing of little Merwin. Zenas needed no calming. He had come of late to do nothing but stare into space and obey what his father told him; and Ammi thought that his fate was very merciful.


DESCRIPTION: In this passage from the short story “The Colour Out of Space” (1927), the narrator describes the gradual disintegration of Nahum Gardner and his family.

CITATION: Lovecraft, H. P. “The Colour Out of Space.” The Call of Cthulhu and Other Weird Stories. Edited by S. T. Joshi, Penguin Books, 1999, pp. 170-99.

A Horrible Brittleness

A feeble scratching on the floor downstairs now sounded distinctly, and Ammi’s grip tightened on a heavy stick he had picked up in the attic for some purpose. Slowly nerving himself, he finished his descent and walked boldly toward the kitchen. But he did not complete the walk, because what he sought was no longer there. It had come to meet him, and it was still alive after a fashion. Whether it had crawled or whether it had been dragged by any external force, Ammi could not say; but the death had been at it. Everything had happened in the last half-hour, but collapse, greying, and disintegration were already far advanced. There was a horrible brittleness, and dry fragments were scaling off. Ammi could not touch it, but looked horrifiedly into the distorted parody that had been a face. “What was it, Nahum—what was it?” He whispered, and the cleft, bulging lips were just able to crackle out a final answer.


DESCRIPTION: In this passage from the short story “The Colour Out of Space” (1927), the narrator describes Nahum Gardner, who has been poisoned by the inexplicable “colour out of space,” just before his death.

CITATION: Lovecraft, H. P. “The Colour Out of Space.” The Call of Cthulhu and Other Weird Stories. Edited by S. T. Joshi, Penguin Books, 1999, pp. 170-99.

A Judgment of Some Sort

Merwin was gone, and there would be no use in telling the people around, who shunned all Gardners now. No use, either, in telling the city people at Arkham who laughed at everything. Thad had gone, and now Mernie was gone. Something was creeping and creeping and waiting to be seen and felt and heard. Nahum would go soon, and he wanted Ammi to look after his wife and Zenas if they survived him. It must all be a judgment of some sort; though he could not fancy what for, since he had always walked uprightly in the Lord’s ways so far as he knew.


DESCRIPTION: In this passage from the short story “The Colour Out of Space” (1927), the narrator describes the gradual disintegration of the Gardner family, which its patriarch, Nahum Gardner, faces with resignation.

CITATION: Lovecraft, H. P. “The Colour Out of Space.” The Call of Cthulhu and Other Weird Stories. Edited by S. T. Joshi, Penguin Books, 1999, pp. 170-99.

The Three-Lobed Burning Eye

“I see it—coming here—hell-wind—titan blur—black wings—Yog-Sothoth save me—the three-lobed burning eye….”


DESCRIPTION: In this passage from the short story “The Haunter of the Dark” (1935), Robert Blake describes his own death as he sits at his desk by the window.

CITATION: Lovecraft, H. P. “The Haunter of the Dark.” The Call of Cthulhu and Other Weird Stories. Edited by S. T. Joshi, Penguin Books, 1999, pp. 336-60.

Past the Starry Voids

The day had come again, when as a child
I saw—just once—that hollow of old oaks,
Grey with a ground-mist that enfolds and chokes
The slinking shapes which madness has defiled.
It was the same—a herbage rank and wild
Clings round an altar whose carved sign invokes
That Nameless One to whom a thousand smokes
Rose, aeons gone, from unclean towers up-piled.

I saw the body spread on that dank stone,
And knew those things which feasted were not men;
I knew this strange, grey world was not my own,
But Yuggoth, past the starry voids—and then
The body shrieked at me with a dead cry,
And all too late I knew that it was I!


DESCRIPTION: In his poem “Recognition,” Lovecraft describes his speaker’s sense of horror when, in a dreamlike state, he sees himself sacrificed and consumed by ghouls.

CITATION: Lovecraft, H. P. “Recognition.” The Ancient Track: The Complete Poetical Works of H. P. Lovecraft. Edited by S. T. Joshi, Hippocampus Press, 2013, p. 82.

The Unnamed and Unnamable

Madness rides the star-wind … claws and teeth sharpened on centuries of corpses … dripping death astride a Bacchanale of bats from night-black ruins of buried temples of Belial. … Now, as the baying of that dead, fleshless monstrosity grows louder and louder, and the stealthy whirring and flapping of those accursed web-wings circles closer and closer, I shall seek with my revolver the oblivion which is my only refuge from the unnamed and unnamable.


DESCRIPTION: In this passage from the short story “The Hound” (1922), the narrator describes the horrors that compel him to commit suicide.

CITATION: Lovecraft, H. P. “The Hound.” The Call of Cthulhu and Other Weird Stories. Edited by S. T. Joshi, Penguin Books, 1999, pp. 81-8.

The Fiend Strike Me Blue!

The fiend strike me blue! I’m scarce able to walk,
And damn me if I can stand upright or talk!
Here, landlord, bid Betty to summon a chair;
I’ll try home for a while, for my wife is not there!
So lend me a hand;
I’m not able to stand,
But I’m gay whilst I linger on top of the land!


DESCRIPTION: In this passage from the short story “The Tomb” (1917), Jervas Dudley recites the eighteenth-century drinking song that he sang in front of his family at breakfast.

CITATION: Lovecraft, H. P. “The Tomb.” The Thing on the Doorstep and Other Weird Stories. Edited by S. T. Joshi, Penguin Books, 2001, pp. 1-10.