… the popular magazine world is essentially an underworld or caricature-imitation-world so far as serious writing is concerned. Absolutely nothing about it is worthy of mature consideration or permanent preservation. That is why I am so absolutely unwilling to make any ‘concessions’ to its standards, & so much disposed to repudiate it entirely in an effort to achieve real aesthetic expression even on the humblest plane.
DESCRIPTION: In a letter to his friend J. Vernon Shea, Lovecraft criticizes the pulps, claiming that their reliance on formula stymies artistic expression.
CITATION: Lovecraft, H. P. “To J. Vernon Shea.” 28 Sept. 1931. Selected Letters. Edited by August Derleth and Donald Wandrei, vol. 3, Arkham House, 1971, pp. 416-7.
The modern bard restrains poetic rage,
To fit his couplets to a quarter-page.
Who now regards his skill, or taste, or strength,
When verse is writ and printed for its length?
His soaring sentiments he needs must pinch,
And sing his Amaryllis by the inch.
The art is easy when the artist tries
Not for Parnassus, but alone for size.
He wastes no care on polish, wit, or grace,
Who rhymes to fill an idle bit of space.
None heeds his worth; his listless lines are bought
Because some favour’d story is too short.
No critic’s sneer his honest ire incites,
For none, forsooth, peruses what he writes!
DESCRIPTION: In his poem “The Magazine Poet,” Lovecraft mocks the commercialism of modern magazines and the poets who write for them.
CITATION: Lovecraft, H. P. “The Magazine Poet.” The Ancient Track: The Complete Poetical Works of H. P. Lovecraft. Edited by S. T. Joshi, Hippocampus Press, 2013, pp. 225-6.
Now this is manifestly inartistic. To write to order, to drag one figure through a series of artificial episodes, involves the violation of all that spontaneity and singleness of impression which should characterise short story work. It reduces the unhappy author from art to the commonplace level of mechanical and unimaginative hack-work. Nevertheless, when one needs the money one is not scrupulous—so I have accepted the job!
DESCRIPTION: In a letter to his friend Frank Belknap Long, Lovecraft describes the writing of his story “Herbert West—Reanimator” as hackwork.
CITATION: Lovecraft, H. P. “To Frank Belknap Long.” 8 Oct. 1921. Selected Letters. Edited by August Derleth and Donald Wandrei, vol. 1, Arkham House, 1965, pp. 157-9.
As for New York—there is no question but that its overwhelming Semitism has totally removed it from the American stream. Regarding its influence on literary & dramatic expression—it is not so much that the country is flooded directly with Jewish authors, as that Jewish publishers determine just which of our Aryan writers shall achieve print & position. That means that those of us who least express our own people have the preference. Taste is insidiously moulded along non-Aryan lines—so that, no matter how intrinsically good the resulting body of literature may be, it is a special, rootless literature which does not represent us.
DESCRIPTION: In a letter to his friend J. Vernon Shea, Lovecraft claims that the Jewish community in New York controls the publishing industry in the United States.
CITATION: Lovecraft, H. P. “To J. Vernon Shea.” 30 July 1933. Selected Letters. Edited by August Derleth and James Turner, vol. 4, Arkham House, 1965, pp. 229-32.